By investigating the knowledge and viewpoints in the many topics found in Vedic culture we can certainly see that the practice and utilization of this Vedic knowledge can indeed assist us in many ways, even in this 21st century. In regard to all the trouble we presently see in this world, maybe it is time to look at things through a different and deeper view to find the answers and directions that are so needed. The knowledge and understandings of this great Vedic culture may indeed be what will help us see through the fog of confusion that seems to envelope so much of society.
What we find in Vedic culture are areas of study, progress and expression that are as relevant today for human advancement as they were hundreds or thousands of years ago. India and its Vedic culture has contributed much to the world, such as its music, beautiful forms of art and architecture, martial arts, astronomy, holistic medicine in Ayurveda, and the mathematical system based on the number ten, along with its yoga systems and philosophy. In the United States, yoga has exploded into a three billion dollar industry. A recent survey (at the time of this writing in 2005) showed that 16.5 million people, or 7.5 percent of the United States, are practicing yoga. Also, the Yoga Journal magazine has grown from a circulation of 90,000 in 1998, to 170,000 in 2000, to 325,000 in 2005.
Vedic mathematics is another example of its contribution to world progress. It is an ancient development that continues to play an important part in modern society. Without the advancements in math that had been established by Vedic culture as far back as 2500 BC and passed along to others, such as the Greeks and Romans, we would not have many of the developments and inventions that we enjoy today. The Greek alphabet, for example, was a great hindrance to calculating. The Egyptians also did not have a numerical system suitable for large calculations. For the number 986 they had to use 23 symbols. The Romans also were in want of a system of mathematical calculations. Only after
they adopted the Indian system that was called “Arabic numerals” did they find what they needed. The difference was that Vedic mathematics had developed the system of tens, hundreds, thousands, etc., and the basis of carrying the remainder of one column of numbers over to the next. This made for easy calculations of large numbers that was nearly impossible in other systems, as found with the Greeks, Romans, Egyptians and even Chinese. The Vedic system had also invented the zero, which has been called one of the greatest developments in the history of mathematics.
The numeral script from India is said to have evolved from the Brahmi numerals. This spread to Arabia through traders and merchants, and from there up into Europe and elsewhere. It became known as the Arabic numerals, yet the Arabians had called them “Indian figures” (Al-Arqan-Al-Hindu) and the system of math was known as hindisat, or the Indian art. Vedic culture already had an established mathematical system that had been recorded in the Shulba Sutras. These are known to date back to at least the 8th century BC.
The Shulba Sutras were actually a portion of a larger text on mathematics known as the Kalpa Sutras. These and the Vedic mathematicians were recognized for their developments in arithmetic and algebra. Indians were the first to use letters of the alphabet to represent unknowns. But they were especially known for what they could do in geometry. In fact, geometrical instruments had been found in the Indus Valley dating back to 2500 BC. Furthermore, what became known as the Pythagorean theorem was already existing in the Baudhayana, the earliest of the Shulba Sutras before the 8th century BC. This was presented by Pythagoras around 540 BC after he discovered it in his travels to India. So this shows the advanced nature of the Vedic civilization.
The Vedic system of math, as explained in the sutras, also reduced the number of steps in calculations to merely a few that otherwise required many steps by conventional methods. Thus, this ancient science is still worthy of study today.
A well-developed medical system was in existence well before the 1st century A.D. Ayurveda is the Vedic system of holistic medicine. It has become quite popular in the West and is continuing to gain ground and acceptance. The word “Ayurveda”, translated from Sanskrit, is composed of two words, ‘Ayus’ which means life and ‘Veda’ which denotes knowledge. So Ayurveda is the knowledge of healthy living and is not only the treatment of diseases. Ayurveda has twin objectives–maintaining the health of the healthy, and cure illnesses of the diseased. The exact origin of Ayurveda is lost in the mists of antiquity. Since Panini is placed at 7th century BC and Ayurveda depicts non-Paninian
Sanskrit grammar, it is logical to place Ayurveda between 6th–10th Century BC.
Jyotish is the Vedic form of astrology, which is an ancient science and is also being accepted and gaining popularity in the West. Vedic Astrology is meant to help the individual better find his or her way through life. It is to assist in discovering one’s highest proclivities, personality, character, qualities and traits and what may be one’s best direction for a career, and other things. Thus a person will least likely waste one’s time in unfulfilling activities, professions or pursuits.
Gemology is an important field in today’s market. But when we speak of Vedic gemology, we do not mean that it is merely for judging the value of a gem. The Vedic purpose in gemology is to determine the best type of quality gem for a person to wear. Thus, Vedic gemology worked in conjunction with Ayurveda and Jyotish to establish the best gem a person should wear for health and positive influence. Vãstu is the Vedic science of architectural and home arrangement. It made its way through the orient and became known as Feng Shui, which has become popular in the West. However, Vastu is a particular science that deals with the flow of energy through a house or building for the highest benefits for those living or working there. It is not enough to merely arrange a house so it looks nice or that there is a good flow of energy through it. But there is much that depends on the directions in which things are facing or which parts of the building accommodate certain activities.
Vedic art is another ancient development that still holds much appreciation in modern times. Art in the Vedic tradition was never a mere representation of an artist’s imagination. It was always a vehicle to convey higher truths and principles, levels of reality that may exist beyond our sense perception. It was always used to bring us to a higher purpose of existence and awareness. In this way, it was always sacred and beheld the sacred. Still today it is used to allow others to enter into a transcendental
Vedic paintings or symbols are unique in that they can deliver the same spiritual energy, vibration and insight that it represents. In other words, through the meditation and devotional mood of the artist, the art becomes a manifestation of the higher reality. In this way, the painting or symbol becomes the doorway to the spiritual essence contained within. They are like windows into the spiritual world. Through that window we can have the experience of darshan of the Divine or divinities, God or His associates. Darshan is not merely seeing the Divine but it is also entering into the exchange of seeing and being seen by the Divine.
As with art, dance in India was not merely an expression of an artist’s emotional mindset or imagination, but was meant to be an interpretation or conveyance of higher spiritual principles or pastimes of the Divine. In fact, in the Vedic pantheon Shiva is known as Nataraja, the king of dancers. Shiva’s dance was also not without a more significant purpose. His dance was based on the rhythm of cosmic energy that pervades the universe, and the destruction of the illusory energy by which all souls are given the opportunity for release from the illusion to attain liberation, moksha.
In this way, traditional Indian dance is highly spiritual and often accompanies important religious rituals and holy days and festivals. Vedic dance goes back to prehistoric times. Bharata Muni wrote his Natya Shastra, science of drama and dance, over 2000 years ago. In it he explains that it was Lord Brahma, the secondary engineer of the universal creation, who brought dance (natya) and drama to the people of Earth millions of years ago, shortly after the Earth was created.
Now dance has evolved into a tradition involving various schools and styles but with strict discipline. It is not uncommon that Indian families will have their daughters spend at least several years or more in such study and practice. In Vedic dance, there is a precise method of postures, facial and hand gestures (mudras), and movements, along with footwork that must be learned and synchronized to the beat and music in order to convey specific meanings, moods and stories to the audience. Many temples, especially in South India, were known for maintaining large groups of dancers that performed at festivals and religious functions.
When the dance is performed according to the spiritual standards, which some view as similar to the practice of yoga, even the dancers can invoke a high degree of spirituality in their own consciousness and bring unity between their inner selves and God. Then the transcendental atmosphere can manifest and draw the Divine to appear in the performers on stage. Thus, the environment becomes transformed and the audience may also experience darshan of the Divine and experience an inspiring upliftment in their own consciousness. In this way, the dance is divine beauty in motion. Or it is a way of invoking the spiritual dimension into our midst. Few other forms of dance attempt to do this. So, as we can see, Vedic culture and its many areas of knowledge and devotional expression are still as relevant today as it was thousands of years ago. And humanity can benefit from it by introspection and in spiritual as well as material development as it did in the past.
The power and relevancy of Vedic culture are found in the number of tools it has always provided in order for humanity to reach its fullest potentials, both as individuals who are searching for their own fulfillment and spiritual awakening, and as a society that can function in harmony with nature and cooperation amongest themselves.